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1991 - 1994
Drawing / Angus Fairhurst "PIG Preludes" / John Tower "PIG Preludes" / John Tower PIG 3 Cover / "Eye of God" / Fred Tomasselli "Appetizer" / Rikrit Tiravanija "Untitled" / Marilyn Minter "Untitled" / Pruitt and Early "Dealer Do's and Don'ts" / Jerry Saltz "Untitled" / Jock Lekutanoy "Untitled" / Jock Lekutanoy "Untitled" / Jock Lekutanoy "Untitled" / Jock Lekutanoy Gavin Brown & John LeKay interview Francesco Bonami Gavin Brown & John LeKay interview Francesco Bonami Gavin Brown & John LeKay interview Francesco Bonami Gavin Brown & John LeKay interview Francesco Bonami
Gavin Brown & John LeKay interview Francesco Bonami
Gavin Brown & John LeKay interview Francesco Bonami Gavin Brown & John LeKay interview Francesco Bonami
Gavin Brown & John LeKay interview Francesco Bonami
Gavin Brown & John LeKay interview Francesco Bonami
PIG PARTICIPANTS
Issues 1 - 6
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Special thanks to the following people for their
contributions:
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Dan Asher, Ashley King,
Howard McNeil, Robert Mahoney, Joel Holub, Anna de Portella,
Eric Oppenheim, Colin DeLand, Pat Hearn, Rachel Harrison, Kenny
Schachter, Gavin Brown, Lyn LeKay, Kristin Oppenhiem, Cary
Liebowitz, Chuck Nanny, John Trembly, Stefan Stux, Pruit and
Early, Peter Seidler, Dennis Oppenheim, Chandra Oppenehim, Jutta
Koelter, Robyn Glazer, Hal Hirschorn, Kevin Landers, Richard
Phillips, Charles Graff, Sean Landers, Kenny Goldsmith, Rikrit
Tiravaneja, David Kelleran, Lisa Spellman, Charlotte Harvey,
Kevin Warren, Gretchen Faust, Sivia Nassar, Joshua Dextor, G.
Roger Dawson, Fred Tomaselli, Henry Tom, John Erwinaka,
Eric O, Paula Hayes, Chris Borrok, Lois Nesbit, Jerry Saltz,
Howard Haley, Benjamin Weil, Conceptual Clearing House Ltd.,
Derrick Armor, Elke Kruystofek, Kim Jones, Ron Roschelieu,
Jocko, Monique Safford, Alexander David Neel, Lama Anagonka
Govinda, George Brecht, Henry Michaux, Marcia Tucker, Keith
Downman, Melvin C. Goldstein, Adrienne Rich, Chwang Tzu, Laura
Miller, Italo Colvino, Sarah Schwartz, Ivan Roman Jimenez, Maria
Vaitez, Kabir, Francesco Bonami, Simon Cerigo, G. Gilmore,
Skowman Hastanan, Damien Hirst, Karl Holmquist, Sue Williams,
Andy Yoder, Jan Mardian, Marilyn Minter, Daniel Moynihan, Nancy
Smith, John Tower, Suzanne Trimble, Marcus Harvey, Angus
Fairhurst
Pig Magazine & John Decay
1991
An
imaginary interview with Acne Journal.
Acne Journal. Question. Do you think that the central function
assigned to the reproduction of Joe Dantes gremlins are a
propagation of signification and an extension of translinguistic
representation of a metaphorized interpretation of the power
privileges of constipation with is a hindrance to a relation of
discordant legitimized fetishization leading to massive masturbation
with brings you a comprehensive mongrel with lacking predisposition
to alienation and separation which constitutes degradation and over
simplification and assimilation which is an obligation which must
never prevail singularlization what the Anglo Saxons call
comodification and then you have appropriation which do you feel is
tautological or discriminatory utopianism and institutional
pluralism contingent consideration and is a cross cultural
pragmatically replacement of paramount regurgitation.
John decay. Answer. What.
Acne Journal. Question. Well let me rephrase that question, do you
think that the supplementary guise of rationalization is a
conventional; occupation of over expectation of motivation of the
reputation of the disenfranchisement of main stream journalism or do
you consider the specialization and limitations of globalization can
lead to hysterical masturbation an decentralization of a left/right
wing of a tyrannosaurs camouflaging the crossbreeding transversa
circumscribing rigor of linguistic excretionism regarding academic
Lacanian disciplinary bureaucratic precursors in the western eastern
hemispheres of entertainment equallateralism.
John Decay answer. Yes I do accommodate romantic tycoonism with
tantalizing demonstrability of hermeneutic philosophical schmoozing
philistine facilitated architectural idealistic unbridled cynicism
and pragmatic pink lace panties and bras in which established
economic authoritarian recontexualized syntactic limitations of
ethnocentricism and conquest of focalization of foreplay
transcending efficacious meditation of such a subsumed
infrastructure of supersession of formal perennial social
restrictive analogously but more smothered with the stature of
liberties labia majourar
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